But in the late 19th century, these stories must have been a breath of fresh air. I think the text of the stories is a bit dated, the language a bit more formal than we use now, and certainly I noticed the odd word that is no longer part of our regular vocab. Although, unlike Jeff Lindsay's Dexter Morgan in DARKLY DREAMING DEXTER, or Simon Kernick's Dennis Milne, Raffles never kills. So here we have the forerunner of a style of book that we thought was modern - where the villain is the central character. The Penguin blurb credits Ernest Hornung with creating " a unique form of crime story, where, in stealing, as in sport, it is playing the game that counts, and there is always honour among thieves". As with Conan Doyle's Holmes and Moriarty, Raffles has his principal opponent in Scotland Yard's Inspector Mackenzie. He is much sought after because he is such a splendid cricketer, both at the bat and as a bowler, and various invitations give him the opportunity to relieve others of their riches. The stories depict Raffles as a master burglar, a gentleman, a sportsman who extends the code of cricket, of "playing fair", to thievery. Of course Raffles never fails, and in the long run it is Bunny who pays most dearly.
At times Raffles uses Bunny as a decoy, and at times Bunny initiates action on his own because he thinks Raffles has failed. The eight stories are narrated by Bunny, with the plots complicated by the fact that Raffles doesn't always keep him totally informed. In the first story The Ides of March Raffles prevents Bunny who is constantly in debt, like Raffles, having no honest source of income, from committing suicide. Raffles, gentleman, cricketer, and amateur cracksman, and his old school mate Bunny Manders, a bunny in most senses of the word. A collection of 8 short stories which feature A.J.
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